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  • HOME
  • PHOTOGRAPHY
  • DESIGN AND BRANDING
  • VIDEO
  • ABOUT
  • CONTACT
  • BLOG
  • PRINTS

The Bends. A film about The Raisins.

My first ever documentary film is now available to stream on Vimeo On Demand. The film is called “The Bends. A film about The Raisins.” and it is the story of the legendary Cincinnati rock band. It has been in the works for a year. When it started I didn't really know it would be a film, I didn't know where it was going and frankly, probably didn't understand what I was getting into. But through the blind trust of the creative process it landed in a good spot. It's a story of chemistry and creativity and has the universal thread that the definition of success isn’t always how the world defines it.

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Making this film was more difficult than I imagined it would be. I never totally doubted my ability to create a good story and once I started talking with the band I knew at least I had some interesting conversations to start with. But forging hours of performances and interviews into something cohesive and interesting was tedious and daunting. What story could I create here that went beyond the classic band tale we’ve all seen? I am not sure I got a clear answer to that but my hidden agenda with this film to try to expose a little bit of the heart and passion musicians have deep within. The things that fans dont ever really hear about or even understand completely. A musician interviewing other musicians perhaps became a way to relate something new.

I experienced some intense technology challenges along the way as well. To all my friends who work in the film/video industry I appalud you! I used one camera, one lens and one microphone. I had mishaps and frustrations all along the way. Next time I'd ask for more help. But that is the gift of hindsight. I had expert help from Tom White, Jim Talkington, Mike Landis, Noah Fetters, Lauren Bray and Hans Schellhas. I did almost 96 different iterations of the film on the road to the final. And those folks all lended their talents along the way. Generally I used one camera, two lenses and one microphone, Expert mixes were made by Noah Fetters.

Some key insights I learned or was reminded of during this project:

  1. ASK: Any good project comes from either being asked to do something or asking someone if you can do something. I asked the band, they said yes.

  2. FLOW: I had no idea what story was in this footage. I had no idea where it was going to go. But if you trust the process, work hard and constantly iterate you’ll end up in a place you never imagined, every single time.

  3. EDIT: This one I know by heart but sometimes ignore because I am too enamored with all that I know is there. Rob Fetters pushed me to focus the narrative more and more. And the film is better for it.

  4. UNIVERSAL: Make things universal. If color is getting in the way or being too descriptive make it black and white. If stories get too inside or too niche don’t use them. Find the things anyone can related to: fear, dissapointment, hope, regret and humor. To name a few.

  5. HELP: This is one I wished I would have embraced. Ask for help. I had so many roadblcoks and technical issues on this that could have been avoided with a crew or a partner. Next time…

  6. OBSESSION: A project like this is a roller coaster. And there’s no way to ride it to the finish if you aren’t hell bent on wrestling it to the ground. Be obsessive. It is the only way through to the other side.

Whether you know their music or not I think you'll find this film entertaining, maybe even moving. It can be rented and streamed on Vimeo Demand for the forseeable future.

Special thanks to The Raisins: Ricky Nye, Bam Powell, Bob Nyswonger and especially Rob Fetters who offered not only great storytelling skills but reminded me to keep the movie in-scope and in focus. And my wife Lauren Bray gave me early reviews, proofreading and reality checks that gave me both confidence and support.

Stream the documentary at:

https://thebends.vhx.tv/








Saturday 11.02.24
Posted by Michael Tittel
Comments: 1
 

Best-in-Show Communication Arts Award and Interview

Sweet news!

My work for Camargo Hunt has been selected for a BEST-IN-SHOW AWARD OF EXCELLENCE from Communication Arts Magazine (CA) in their 64th annual photography competition. I know firsthand how difficult it is to place in this industry coveted award show and am very grateful for the recognition. Thank you to the judges for their thoughtful curation across the annual. And thank you to Cynthia Lewis at the Camargo Hunt for the opportunity.

See the online interview here.
https://www.commarts.com/project/35521/the-blessing-of-the-hounds

The interview and work are also featured in the printed magazine on sale in August which will go out to 25,000 subscribers.

ABOUT THE WORK
The English Tradition of the fox hunt is alive and well in the hills east of Cincinnati. This work celebrates the beauty and traditions that remain today in a world so far removed from the sporting rituals of yesterday. The hunt is no longer a hunt to the finish as the foxes are merely chased but the spirit of community and sport thrives. Created for the Camargo Hunt, Cincinnati Ohio.

See The Blessing of the Hounds series here.

SOME FACTS FROM COMMARTS:
Of the 2,236 entries to the 64th Photography Annual, only 122 were accepted, representing the work of 121 photographers, making the Photography Annual the most exclusive major photography competition in the world. My work was one of the 4, BEST IN SHOW winners.

JUDGES
David M. Barreda, senior photo editor, National Geographic, Washington, DC  
James Day, photographer/director, London, United Kingdom  
Keith Grieger, director, still photography, Warner Bros. Discovery, Atlanta, GA  
Beatrice Heydiri, photographer, Hamburg, Germany  
Melchior Lamy, principal/executive creative director, LEROY & ROSE, Los Angeles, CA/London, United Kingdom/ Aix-en-Provence, France  
Susan Lakin, professor, RIT School of Photographic Arts and Sciences, Rochester, NY 
Marguerite Schropp Lucarelli, director of photography, Sports Illustrated and Sports Illustrated Kids, New York, NY Danielle A. Scruggs, photo editor, The Wall Street Journal, Chicago, IL 
Liz Sullivan, deputy editor of visuals, The Globe and Mail, Toronto, Canada

Thursday 06.22.23
Posted by Michael Tittel
 

Leica Blog // Outsider Inside

I was honored to be interviewed by Leica about my Outsider Inside series. Check it out and learn a little bit about what was behind the work.

Read the interview on the Leica Blog.

Friday 11.18.16
Posted by Michael Tittel
 

Iceland

In September of 2015 I spent eight days in Iceland. Here are twenty-two images that try their best to share the feelings I felt in the land of Ice and Fire.

See the collection.

Sunday 10.18.15
Posted by Michael Tittel
 

What defines a good photograph?

Evelyn April 2014

Evelyn April 2014

What defines a good photograph?

It isn’t about a certain kind of light.
It isn’t about a certain time of day.
It isn’t about a certain moment.
It isn’t about a certain kind of subject matter.
It isn’t about the right place.
It isn’t about a certain part of the world.
It isn’t about a certain kind of camera.
It isn’t about a certain kind of lens.
It isn’t about digital.
It isn’t about film.
It isn’t about rules.
It isn’t about technique.
It isn’t about a certain kind of style.
It isn’t about a type of composition.
It isn’t about a certain kind of a feeling.

Unless you say it is.

A photograph is what you included in the frame. It is about whatever it is supposed to be about. And that is whatever you think it should be. You define it. Make it your photograph, the one no one else can or would dream to make. That is a good photograph.

Monday 04.28.14
Posted by Michael Tittel
Comments: 5
 
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